NOTHING TO SEE HERE

A new art exhibit forbids people from looking at art

Obsession
Life as Laboratory
Obsession
Life as Laboratory

You cannot visit artist Maria Eichhorn’s new exhibit at London’s Chisenhale Gallery. In her newest piece “5 weeks, 25 days, 175 hours,” the Berlin-based artist has paid the gallery’s staff not to work. For the duration of the exhibit, the doors are locked, the staff is gone, and emails to the office are automatically deleted.

#MariaEichhorn #5Weeks25Days175Hours @chisenhalegallery #ChisenhaleGallery #London #HowToWorkTogether

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Eichhorn conceived the piece after interviewing gallery staff last year. According to the exhibit notes, it’s an experiment in “suspending the capitalist logic of exchange” and “making a life without wage labor imaginable.”

Staff are still getting full pay, but Eichhorn’s terms dictate that the gallery can’t be rented out or otherwise used for profit in the five weeks.

Chisenhale Gallery Maria Eichhorn, 5 weeks, 25 days, 175 hours, 23 April – 29 May 2016 www.chisenhale.org.uk Maria Eichhorn 5 weeks, 25 days, 175 hours 23 April – 29 May 2016 For the duration of Maria Eichhorn’s exhibition, 5 weeks, 25 days, 175 hours, Chisenhale Gallery’s staff are not working. Therefore the gallery and office are closed from 24 April to 29 May 2016. For further information please visit www.chisenhale.org.uk. The exhibition opened with a symposium on Saturday 23 April, exploring contemporary labour conditions, featuring lectures by Isabell Lorey and Stewart Martin and chaired by Andrea Phillips. Audio recordings from the symposium are available at www.chisenhale.org.uk. A new publication including commissioned texts by Isabell Lorey and Stewart Martin; a transcript of a discussion with Maria Eichhorn and Chisenhale Gallery staff; and an interview with the artist is available to download for free at www.chisenhale.org.uk. #MariaEichhorn #5weeks25days175hours #howtoworktogether

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Eichhorn has explored the economic forces behind the public consumption of art before. In her 2001 project “Money at the Kunsthalle Bern,” Eichhorn used her exhibition budget to pay for repairs at a gallery in Bern, Switzerland, and printed the cost and contractors used on the invitation cards and posters.

Her new project also examines cold practicalities of the art business. Gallery staffers told Eichhorn that up to 75% of their time is spent fundraising, work that can’t get done during this period of forced time off. While paid leave sounds like an enticing deal, “5 weeks, 25 days, 175 hours” is an experiment in what is gained and lost when we disconnect from work.

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