The photography in Kesh Angels is elaborately constructed: Hajjaj designed the outfits himself, shaping contemporary knock-off designer prints into traditional silhouettes, and working with local artisans to produce the found-object frames. But Karima breaks somewhat free from Hajjaj’s virtuosic aesthetic control. 

“With photography, it’s all staged: you do the set up, you know the location, the cast, what they’re going to wear, and the color composition you’re going to create in the picture,” says Hajjaj. “But with film, you don’t know what’s going to happen.”

Perhaps as a result, Karima also goes beyond Hajjaj’s usual fierce poses and quirky clothing and straight to the skin, focusing on the sophisticated craftsmanship behind Karima’s creations. “Normally people don’t think of much of henna, but henna people have been doing it for ages,” Hajjaj says. “Karima is an artist.”

Image for article titled Photos: The colorful female bike gangs of Marrakesh
Image: Hassan Hajjaj/Courtesy Taymour Grahne Gallery
Image for article titled Photos: The colorful female bike gangs of Marrakesh
Image: Hassan Hajjaj/Courtesy Taymour Grahne Gallery
Image for article titled Photos: The colorful female bike gangs of Marrakesh
Image: Hassan Hajjaj/Courtesy Taymour Grahne Gallery
Image for article titled Photos: The colorful female bike gangs of Marrakesh
Image: Hassan Hajjaj/Courtesy Taymour Grahne Gallery

 

Karima: A Day in the Life of a Henna Girl will be next shown at Art Basel in Switzerland in June 2015.

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