Celebrity activism and support for African humanitarian causes–such as the Enough Project, Akon’s Lighting Africa and Kony 2012–has become mainstream. But what are the consequences, and is this something we necessarily want to promote?
Celebrity activism is nothing new. At the turn of the 20th century, prominent British journalist, author and politician Edmund Dene Morel, and Anglo-Irish diplomat and human rights activist Roger Casement successfully challenged King Leopold’s violent and autocratic rule of the Congo Free State. They did so with the help of notable friends: Arthur Conan Doyle, William Cadbury and Joseph Conrad.
In the 1930s, 1940s and 1950s, suffragette Sylvia Pankhurst consumed herself with lobbying in favour of a fascist-free Ethiopia. A few decades later Bob Geldof and Band Aid raised US$ 150 million for the victims of famine in Ethiopia.
Although some of the most famous campaigns sought to provide a palliative solution to one-off disasters such as famine or Ebola, most modern-day celebrities are not content with fundraising or short-lived remedial goals.
They have chosen to champion socioeconomic causes that have more expansive and lasting pretensions. The latest generation of American celebrity activists has most commonly knocked at the doors of Congress, demanding changes in US policy towards their cause célèbre.
Celebrity activism has grown more powerful in the past decades. The spread of internet and communications technologies has broken down the oligopoly on news, opening many new stages for celebrities and their causes.
Should we question the motives of these celebrities, who hire expensive PR experts to “sell” their convictions? As Daniel Drezner writes, engaging in causes clearly benefits these individuals too. It provides them with access to new outlets such as political talkshows or international forums and helps polish their personal brands.
Causes are to celebrities what corporate social responsibility is to business. Every established name has to have, at least, one. Mother Jones recently ironically published a map of the African countries celebrities have “claimed”.
Celebrities undoubtedly help make causes known to a larger audience. They are often effective in obtaining pledges from governments, policymakers and businesses. The problem is that they are often much less effective in transforming these commitments into appropriate and effective policies.
Darrel West writes that the fascination for celebrities raises the risk that “there will be more superficiality and less substance in our political process”.
As West points out, it:
… drains attention from experts with detailed knowledge, and risks the skewing of civil discourse toward solutions which may not represent effective long-term remedies for complex policy problems.
Championed by celebrities from Ben Affleck to Nicole Richie, this section required companies reporting to the US Securities and Exchange Commission to disclose their use of “conflict minerals” originating in the Democratic Republic of the Congo (DRC), or an adjoining country.
This stipulation was presented by the Enough Project as an essential precursor to preventing conflict, and thus sexual violence, in the DRC. The project is an international advocacy organisation replete with celebrity frontmen and women who campaign against genocide and crimes against humanity.
The documentary, alongside other pieces of research, shows the implications on the ground of this simplified rendering of the facts.
With de facto international boycotts on minerals from the DRC, and a government ban on artisanal mining, tens of thousands of miners and businesses ended up unable to make a living. This pushed many individuals either towards the illicit mining industry or a rebel group, thus paradoxically exacerbating the very violence it set out to reduce.
First, it should respond to and collaborate with local people, rather than impose exogenously generated agendas. The Dodd-Frank Act campaign should have involved asking local activists, populations and mining experts in the eastern DRC about mineral supply chains emanating from the region and whether they could be altered to improve the situation. Evidence suggests this consultation failed to take place beyond a narrow segment of civil society – the church.
Second, activism should be fact-driven, reflexive and responsive, and cognisant of that as contexts change, so too must it.
Third, it should speak to power but also firmly against it, and should not presume that all change is possible from within.
The final point appears particularly pertinent. It raises the question as to whether celebrity aspiration for change would be more relevant if decoupled from the belief that this is best achieved through shifts in policy.
As recent research has shown, the problem with celebrity causes is that they tend to de-politicise policy and activism. They too often obfuscate the complex dynamics of power and socioeconomic relations in favour of a simple, catch all, solution. Celebrities can improve this situation by bringing back into the debate more stakeholders, researchers and local voices.
Thus celebrities speaking truth to power, rather than half-truths that may inadvertently serve the interests of power, may be a more promising way forward if celebrity advocacy relating to Africa is to lead to meaningful socioeconomic change.
The celebrity advocacy circuit for change in Africa lacks celebrity participation in bottom-up movements, as opposed to top-down advocacy. Bottom-up celebrity advocacy, à la Charlotte Church and Russell Brand, should itself not be void from criticism.
Yet if the cycle of simplified celebrity advocacy messages leading to ineffective – even harmful – African policy is to be broken, genuine engagement with, and commitment to, the people they advocate on behalf of is critical. It may provide a welcome step forward from the current status quo.
This article was first published on The Conversation.