Last night, the New York Times revealed the identities of the people who secretly hoisted two bleached-out American flags atop the Brooklyn Bridge on July 22. The self-styled art installation by Matthias Wermke and Mischa Leinkauf set off a police investigation and security fears in the media, but the two Berliners say they intended the flags as an avant-garde birthday tribute to the bridge’s German-born engineer, John Roebling.
Last night, the New York Times revealed the identities of the people who secretly hoisted two bleached-out American flags atop the Brooklyn Bridge on July 22. The self-styled art installation by Matthias Wermke and Mischa Leinkauf set off a police investigation and security fears in the media, but the two Berliners say they intended the flags as an avant-garde birthday tribute to the bridge’s German-born engineer, John Roebling.
“Few people would care if we did the same thing in Berlin,” Leinkauf told the Times. “Of course, we did not have the same problems with terrorism.”
Wermke and Leinkauf are performance artists who use cities as their canvas. Their work is often illegal, but in their home country (and elsewhere) it hasn’t provoked the sort of consternation seen in New York over the last few weeks.
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In 2007, the duo staged what now looks like a dry run for their flag action, attaching strings of balloons to New York’s Manhattan and Brooklyn Bridges. Unlike now, there were no terrorism fears stoked by the press, no police investigations, no subpoenas of , just a couple of nice photos on Flickr. So was the 2007 installation a dangerous example of a city caught unaware, or was the response to the flag episode seven years later hilariously overblown? Draw your own conclusions.
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