55:["$","$1","9",{"children":[["$","div",null,{"className":"payload-richtext prose md:prose-md dark:prose-invert underline-offset-2 prose-a:font-normal prose-a:hover:text-accent prose-a:transition-colors prose-a:duration-100 prose-a:ease-out prose-a:decoration-accent prose-a:**:decoration-accent! max-w-[636px] mx-auto md:text-xl font-serif md:[&>h2]:text-3xl pb-8","children":[["$","p","0",{"children":["But an added danger to leaving artworks abroad, some believe, lies in the risk of appropriation. That was laid bare last year when British artist Damien Hirst was ",["$","a","1",{"href":"https://qz.com/africa/980234/damien-hirsts-replica-of-one-of-africas-oldest-bronze-artworks-is-being-slammed-for-appropriation","rel":"$undefined","target":"$undefined","children":["accused of cultural appropriation"]}]," during an exhibition in Venice when one of his artworks, a golden sculpted head, caused a stir given its striking resemblance to ",["$","em","3",{"children":"Ori Olokun"}],", a 14th century bronzehead from Ife, an ancient Yoruba kingdom."]}]]}],[false,false]]}] 60:T4fd,