
To “make reality more real,” artist Asad J. Malik placed hologram images of the Syrian war in a variety of locations across the US. Anyone with a pair of HoloLens can experience his work in a familiar environment: The drowned Syrian boy Alan Kurdi lying on a couch in a building in Bennington college, Vermont; a refugee mom leading her child into an unknown future, outside a departure gate in San Francisco airport.







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