A day after Entertainment Weekly publicized that the producers of Game of Thrones once envisioned the showâs final season as a three-part series of two-hour movies, the release of Amazon $AMZNâs Homecoming proved you can make a TV drama with episodes every bit as fulfilling as the hit HBO fantasy seriesâ elongated installments in a fraction of the time.
Homecoming is one of several great new dramas airing this fall that are comprised of snackable 30-minute episodes, providing a much-needed corrective for the increasingly bloated dramas that populate âprestigeâ television. The Hitchcockian series, which is directed entirely by Mr. Robot creator Sam Esmail and stars one of the worldâs biggest movie stars (Julia Roberts), is every bit as prestigious and showy as its longer competition. But itâs bite-sized prestige: all the profundity and seriousness of a 60-minute with half the fat. Who wouldnât want that?
With few exceptions, 30-minute TV episodes have historically been reserved for comedy series, while dramas generally range between 40 and 90 minutes per episode, depending on the showâs budget and the level of self-indulgence of its creators. The bloating issue is especially pronounced on American cable and pay-TV dramas. In what Vulture cleverly called the âmanspreading of TV,â cable and pay-TV networks have spent the last few years trying to compete with streaming services over viewersâ hours by lengthening the episodes of their shows. A long show signals that it is important, worthy of viewersâ time and attention, and probably deserving of lots of awards. Streaming services have responded by making the episodes of some of their shows longer too.
Sure, there are plenty of cable and streaming âdramediesâ comprised of half-hour installments: Atlanta, Fleabag, Barry, and Transparent come to mind. But you can make reasonable arguments that each of these shows is closer in tone to a comedy than a drama. (Iâve argued itâs probably most correct to call these shows âgenrelessââor âgenre-bendingââneither comedies nor dramas.) Homecoming, however, is a drama in earnest, combining the paranoia of Esmailâs prior series with the emotional depth of a show like The Americans. Itâs dark and thrilling and features very few moments of levity. Itâs a drama. A 30-minute drama.
And itâs not the only one.
In fact, some of the best new dramas this TV season eschew the 60-minute tradition for zippier episodes. Facebook $META Watchâs surprisingly good drama Sorry for Your Loss, about a young writer coping in the wake of her husbandâs death, is made up of 30-minute episodes. Half of the episodes of Maniac, the weird Netflix $NFLX miniseries starring Emma Stone and Jonah Hill, are under 40 minutes long, and two of them are under 30 minutes. And Showtimeâs Kidding, which stars Jim Carrey as a Mr. Rogers-esque childrenâs show host grieving the recent death of his son, is comprised of half-hour chapters, too.
HBO has experimented with the format in the past, most notably with the therapy drama In Treatment and more recently with anthology series Room 104. Starz has dabbled in shorter dramas as well, in The Girlfriend Experience, Sweetbitter, and Vida, for example. But these were all outliers. The format never truly caught on, until now.
I often find myself trying to guess how much time is left while watching many modern TV dramas. Every episode of Homecoming, however, ends before I expect it to. Itâs a surprise every time. Itâs wonderful.
Since our minds are trained to expect the rhythms and flow of an hour-long episode while watching a serious drama, a 30-minute episode can be almost jarring in its relative brevity. When they end, youâre left wanting moreâbecause youâre used to getting more. It takes a while for the brain to adjust to the quicker pace. But once it does, you may find yourself never wanting to go back.
Many of Homecomingâs positive reviews (and there are a lot) focus on its superb pacing and persistent forward momentum. Both of these are facilitated by the showâs shorter run time. The rest of the TV industry would be wise to capitalize on this growing phenomenon.
