7f:T4fc, 70:["$","$1","36",{"children":[["$","div",null,{"className":"payload-richtext prose md:prose-md dark:prose-invert underline-offset-2 prose-a:font-normal prose-a:hover:text-accent prose-a:transition-colors prose-a:duration-100 prose-a:ease-out prose-a:decoration-accent prose-a:**:decoration-accent! max-w-[636px] mx-auto md:text-xl font-serif md:[&>h2]:text-3xl pb-8","children":[["$","iframe","0",{"height":600,"data-src":"https://qz.com/embed/inset/iframe?id=instagram-7VnodlhhOD&autosize=1","srcDoc":"$7f","id":"instagram-7VnodlhhOD","data-recommended":"false","className":"w-full fit-content rounded-2xl p-4 bg-gray-200 dark:bg-neutral-800 my-2","sandbox":"allow-scripts allow-same-origin","frameBorder":"0","scrolling":"no","loading":"lazy","allowFullScreen":true}],["$","p","1",{"children":["These are still recognizable as clothes. But more recently, after more than four decades in the business, Kawakubo has evidently become so exhausted with mere “clothing” that she has stopped making it altogether. “My intention is not to make clothes,” she said in a ",["$","a","1",{"href":"http://wwd.com/fashion-news/fashion-features/rei-kawakubo-qa-6486260/","rel":"$undefined","target":"$undefined","children":["2012 interview"]}]," (paywall)."]}]]}],[false,false]]}] 71:["$","$1","37",{"children":[["$","div",null,{"className":"payload-richtext prose md:prose-md dark:prose-invert underline-offset-2 prose-a:font-normal prose-a:hover:text-accent prose-a:transition-colors prose-a:duration-100 prose-a:ease-out prose-a:decoration-accent prose-a:**:decoration-accent! max-w-[636px] mx-auto md:text-xl font-serif md:[&>h2]:text-3xl pb-8","children":[["$","p","0",{"children":["She ",["$","a","1",{"href":"http://system-magazine.com/issue2/rei-kawakubo/","rel":"$undefined","target":"$undefined","children":["reiterated the point"]}]," after her spring 2014 show—literally titled ”Not Making Clothing”—describing the unusual looks, each of which was accompanied by its own piece of music, as “anything but clothes.”"]}]]}],[false,false]]}]